{"id":11384,"date":"2026-01-03T20:13:03","date_gmt":"2026-01-03T23:13:03","guid":{"rendered":"https:\/\/criticanoespecializada.com.ar\/?p=11384"},"modified":"2026-01-03T20:35:14","modified_gmt":"2026-01-03T23:35:14","slug":"resena-la-empleada-dir-paul-feig","status":"publish","type":"post","link":"https:\/\/criticanoespecializada.com.ar\/en\/resena-la-empleada-dir-paul-feig\/","title":{"rendered":"RESE\u00d1A &#8211; &#8220;LA EMPLEADA&#8221; (Dir. Paul Feig)"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1344\" height=\"1920\" src=\"https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/unnamed.jpg\" alt=\"Poster\" class=\"wp-image-11392\" style=\"width:584px;height:auto\" title=\"\" srcset=\"https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/unnamed.jpg 1344w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/unnamed-210x300.jpg 210w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/unnamed-717x1024.jpg 717w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/unnamed-768x1097.jpg 768w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/unnamed-1075x1536.jpg 1075w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/unnamed-8x12.jpg 8w\" sizes=\"auto, (max-width: 1344px) 100vw, 1344px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">&#8220;Cuidado a donde entras&#8221;<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Antes que nada, <strong>Feliz 2026<\/strong> a todos, los editores de <strong>&#8220;Critica No Especializada&#8221;<\/strong> y tambi\u00e9n a todos los <strong>Lectores <\/strong>que hacen del d\u00eda a d\u00eda un espacio a cada uno de nosotros. Ahora, empezamos con el primer estreno de este nuevo a\u00f1o. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El cine de suspenso tiene dos caminos: el que se acostumbra a ser repetitivo o el que se arriesga en presentar algo nuevo. <strong>La Empleada<\/strong> transita decididamente por esta segunda v\u00eda, una cuerda floja entre el thriller psicol\u00f3gico y el romance, aunque el producto final parece ir m\u00e1s dirigido al p\u00fablico femenino. Bajo la direcci\u00f3n de <strong>Paul Feig<\/strong> <strong><em>(Chicas armadas y peligrosas &#8211; 2013)<\/em><\/strong> esta pel\u00edcula adapta el <strong>best-seller de Freida McFadden<\/strong> con la participaci\u00f3n de <strong>Sydney Sweeney<\/strong> como <strong>Millie<\/strong>, siendo una joven con un pasado extra\u00f1o que acepta un trabajo ideal como empleada dom\u00e9stica, en la residencia de lujo de la familia Winchester bajo el obsesivo control de <strong>Nina<\/strong>, interpretada por <strong>Amanda Seyfried<\/strong>.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1440\" src=\"https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/ncY1mPmuefm08B5h7XEzVoYEm0H-scaled.webp\" alt=\"Imagen1\" class=\"wp-image-11393\" style=\"width:666px;height:auto\" title=\"\" srcset=\"https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/ncY1mPmuefm08B5h7XEzVoYEm0H-scaled.webp 2560w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/ncY1mPmuefm08B5h7XEzVoYEm0H-300x169.webp 300w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/ncY1mPmuefm08B5h7XEzVoYEm0H-1024x576.webp 1024w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/ncY1mPmuefm08B5h7XEzVoYEm0H-768x432.webp 768w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/ncY1mPmuefm08B5h7XEzVoYEm0H-1536x864.webp 1536w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/ncY1mPmuefm08B5h7XEzVoYEm0H-2048x1152.webp 2048w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/ncY1mPmuefm08B5h7XEzVoYEm0H-18x10.webp 18w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">La pel\u00edcula se presenta como un producto interesante para los amantes de este cine que mezcla: el sexo y los lujos, algo que se ha visto muy seguido y que saben a qu\u00e9 p\u00fablico querer ir dirigidos, y m\u00e1s por los actores que se eligen por su llamativo f\u00edsico para los papeles protagonistas o secundarios. Como es el caso de <strong>Brandon Sklenar<\/strong> y <strong>Michele Morrone<\/strong> que su participaci\u00f3n es nula.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La qu\u00edmica entre <strong>Sweeney <\/strong>y <strong>Amanda Seyfried<\/strong> es el sost\u00e9n de la pel\u00edcula; <strong>Seyfried <\/strong>brilla particularmente, construyendo un personaje desequilibrado e inquietante, rayando a lo exagerado, casi tan parecido a un personaje de telenovela. <strong>Sweeney <\/strong>es todo lo contrario; eso demuestra un interesante choque en ambos personajes, ya sea una risa nerviosa o un momento de tensi\u00f3n absoluta. M\u00e1s all\u00e1 de las actuaciones, los giros no sorprenden; se vuelven predecibles conforme pasan los minutos, pero cumplen con mantener la atenci\u00f3n. Su resultado, aun as\u00ed, es favorable: el morbo y la exageraci\u00f3n ofrecen un digno placer a aquel espectador que no exige ver una historia complicada, adem\u00e1s de ser atractivo visualmente. <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1440\" src=\"https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/bEcRxVHyCmwTYYlVVLLgGz2GdWW-scaled.webp\" alt=\"Imagen2\" class=\"wp-image-11394\" style=\"width:666px;height:auto\" title=\"\" srcset=\"https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/bEcRxVHyCmwTYYlVVLLgGz2GdWW-scaled.webp 2560w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/bEcRxVHyCmwTYYlVVLLgGz2GdWW-300x169.webp 300w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/bEcRxVHyCmwTYYlVVLLgGz2GdWW-1024x576.webp 1024w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/bEcRxVHyCmwTYYlVVLLgGz2GdWW-768x432.webp 768w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/bEcRxVHyCmwTYYlVVLLgGz2GdWW-1536x864.webp 1536w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/bEcRxVHyCmwTYYlVVLLgGz2GdWW-2048x1152.webp 2048w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/bEcRxVHyCmwTYYlVVLLgGz2GdWW-18x10.webp 18w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>En conclusi\u00f3n<\/strong>, <strong>La Empleada<\/strong> no pretende revolucionar el g\u00e9nero ni convertirse en un cl\u00e1sico de culto, aunque s\u00ed logra mantenerte pegado al asiento, riendo, indign\u00e1ndote, celebrando y odiando todo a la vez, una experiencia que resulta pasajera ante su primer visionado pero, a su vez, es satisfactoria.<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">VALIDACI\u00d3N: B-<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1440\" src=\"https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/2KXcC2XlTbBmgZSKIVe0ByXbnKq-scaled.webp\" alt=\"Imagen3\" class=\"wp-image-11395\" style=\"width:665px;height:auto\" title=\"\" srcset=\"https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/2KXcC2XlTbBmgZSKIVe0ByXbnKq-scaled.webp 2560w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/2KXcC2XlTbBmgZSKIVe0ByXbnKq-300x169.webp 300w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/2KXcC2XlTbBmgZSKIVe0ByXbnKq-1024x576.webp 1024w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/2KXcC2XlTbBmgZSKIVe0ByXbnKq-768x432.webp 768w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/2KXcC2XlTbBmgZSKIVe0ByXbnKq-1536x864.webp 1536w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/2KXcC2XlTbBmgZSKIVe0ByXbnKq-2048x1152.webp 2048w, https:\/\/criticanoespecializada.com.ar\/wp-content\/uploads\/2026\/01\/2KXcC2XlTbBmgZSKIVe0ByXbnKq-18x10.webp 18w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">Sinopsis:<\/h2>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Basado en el best seller internacional de Freida McFadden, La asistenta. Una joven decidida a comenzar de nuevo acepta trabajar como empleada dom\u00e9stica para una pareja adinerada. Pero lo que parece el trabajo perfecto, pronto se convertir\u00e1 en un oscuro laberinto de secretos, enga\u00f1os y obsesiones que pondr\u00e1n a prueba su cordura y su vida.<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">Ficha T\u00e9cnica:<\/h2>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Direcci\u00f3n: Paul Feig<br>Producci\u00f3n: Todd Lieberman<br>Guion: Rebecca Sonnenshine<br>Basada en The Housemaid de Freida McFadden<br>M\u00fasica: Theodore Shapiro<br>Fotograf\u00eda: John Schwartzman<br>Montaje: Brent White<br>Protagonistas: Sydney Sweeney, Amanda Seyfried, Brandon Sklenar, Michele Morrone, Elizabeth Perkins, Megan Ferguson, Ellen Tamaki<br>Distribuci\u00f3n: Lionsgate Films<br>Distribuci\u00f3n Argentina: BF Argentina<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">Trailer:<\/h2>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Trailer 2 - La Empleada (The Housemaid) - Subtitulado\" width=\"1110\" height=\"624\" src=\"https:\/\/www.youtube.com\/embed\/fsQgrGKFe3c?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/criticanoespecializada.com.ar\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">Por&nbsp;<strong><a href=\"https:\/\/instagram.com\/erikmukowoz?igshid=YmMyMTA2M2Y=\" target=\"_blank\" rel=\"noreferrer noopener\">Erik Mukowoz<\/a><\/strong>.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">M\u00e1s notas de Erik&nbsp;<a href=\"https:\/\/criticanoespecializada.com.ar\/en\/author\/erik-mukowoz\/\">aqu\u00ed<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;Cuidado a donde entras&#8221; Antes que nada, Feliz 2026 a todos, los editores de &#8220;Critica No Especializada&#8221; y tambi\u00e9n a todos los Lectores que hacen del d\u00eda a d\u00eda un&hellip; <\/p>","protected":false},"author":52,"featured_media":11396,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAownYrbCw:productID":"","footnotes":""},"categories":[2,54],"tags":[1707,5,6,9,260],"class_list":["post-11384","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine-y-series","category-la-critica","tag-1707","tag-cine","tag-criticas","tag-streaming","tag-terror"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"description\" content=\"&quot;Cuidado a donde entras&quot; Antes que nada, Feliz 2026 a todos, los editores de &quot;Critica No Especializada&quot; y tambi\u00e9n a todos los Lectores que hacen del d\u00eda a d\u00eda un espacio a cada uno de nosotros. Ahora, empezamos con el primer estreno de este nuevo a\u00f1o. El cine de suspenso tiene dos caminos: el que\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Erik Mukowoz\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/criticanoespecializada.com.ar\/en\/resena-la-empleada-dir-paul-feig\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.8\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"CnE - Cr\u00edtica no Especializada - Portal de entretenimiento\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"RESE\u00d1A \u2013 \u201cLA EMPLEADA\u201d (Dir. 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